Steven Spielberg is the soul in the machine and meine damen und herren it is right to honor this historical figure here, in this most historical of cities, Berlin,” he said. “In A.I., the boy is a machine who develops a soul, so he can love his mother back to life. Referring to Spielberg’s 2001 film A.I., Bono brought up the central character of the boy robot David, who is programmed to show unconditional love with unexpected consequences. We know he’s one of the biggest of the big shots in Hollywood, but we get the sense he doesn’t quite belong there and we’re kind of relieved,” he said. He’s not really a celebrity, is he? Thank God for that. The noun is already becoming an adjective.”īono suggested that Spielberg had an other-worldliness about him. When The Edge revealed that he and Bono didn’t warm to U2 as a name at first, his bandmate chimed in to say: I still don’t. “I cry though my heart is full of joy because I know that my own mother will always come looking for me. The mother is played by the great Goldie Hawn, but all I see is my own mother, as I saw her as a child, gigantic, imperfect. I watch the mother’s face and it’s projected 30 feet tall. In the cinema, in the ‘womb’ with a view that is cinema. “The entire situation becomes a media sensation as they kidnap a policeman and the world waits and watches to see what will happen,” said Bono. He named Spielberg’s 1974 drama Sugarland Express, starring Goldie Hawn as a woman who takes a police officer hostage in a desperate bid to reunite with her son before he is placed in care, as a film that had a special place in his film-going memory. Steven Spielberg Talks Filmmaking With Stephen Colbert On 'The Late Show' And Names His 'Pretty Perfect' Movie
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